| The Charlotte Glencross Gallery | |||||||||||||||||||
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| Until the end of August | |||||||||||||||||||
| About 25 artist responded to a call to reflect on the idea of order and chaos in their work. The result is one of the most interesting exhibitions yet at the Charlotte Street Arts Centre. | |||||||||||||||||||
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Whitefeather's Untitled weaves a web of elastic bands from the trees outside through the foyer and upstairs, clinging to whatever holds she could find. | ||||||||||||||||||
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Kim Vose Jones' Creatio in steel, wool, stone, paper and tree will respond to the effects of the elements during the six week run of the exhibition.
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| Reconnoitre Space Visitor by Rowland Marshall considers the possiblity of extra-terrestrial visitors. | |||||||||||||||||||
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Bridget Toole-Grant's Sittting Pretty is a commentary on the injustice imposed on many that allows others to live in comfort.
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| Ingo and Julie Doutsch work in glass. This piece is Solar Nucleosynthesis. | |||||||||||||||||||
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Katie FitzRandolph's Fabulous Landscape contrasts the order or chaos of the natural world with order or chaos of manmade military machines entering it.
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| Mock-up #403 by Teididh (Chase) McElwaine consists of four chairs, an artificial tree and a fan blowing artificial breeze, as well as a section of text. | |||||||||||||||||||
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David and Cynthia Ryder have been quite literal in creating silver bracelets.
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| CBR (2.7K) by Joss Richer is a complex work in plaster, wire, paint and other media. | |||||||||||||||||||
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For Rita Cyr-Bonga, Order takes up much less space than Chaos.
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| Margaret Bannister's Chaos of the Heart tells of a long-ago love triangle | |||||||||||||||||||
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Workshop, tools and cans, by Stephen May is a glimpse into his studio.
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| Click here for previous exhibitions. For information on exhibiting in the gallery, click here. |
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